翻訳と辞書
Words near each other
・ "O" Is for Outlaw
・ "O"-Jung.Ban.Hap.
・ "Ode-to-Napoleon" hexachord
・ "Oh Yeah!" Live
・ "Our Contemporary" regional art exhibition (Leningrad, 1975)
・ "P" Is for Peril
・ "Pimpernel" Smith
・ "Polish death camp" controversy
・ "Pro knigi" ("About books")
・ "Prosopa" Greek Television Awards
・ "Pussy Cats" Starring the Walkmen
・ "Q" Is for Quarry
・ "R" Is for Ricochet
・ "R" The King (2016 film)
・ "Rags" Ragland
・ ! (album)
・ ! (disambiguation)
・ !!
・ !!!
・ !!! (album)
・ !!Destroy-Oh-Boy!!
・ !Action Pact!
・ !Arriba! La Pachanga
・ !Hero
・ !Hero (album)
・ !Kung language
・ !Oka Tokat
・ !PAUS3
・ !T.O.O.H.!
・ !Women Art Revolution


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Oscar D'Leon : ウィキペディア英語版
Oscar D'León

Oscar Emilio León Somoza, known as Oscar D'León (Caracas, Venezuela on July 11, 1943) is a Venezuelan musician of salsa music. He is the author of "Llorarás," which he recorded in 1975 with his group ''La Dimensión Latina''. He is also ambassador for Operation Smile.
==Early life and career==
Oscar D'León was a long-time resident of the Parroquia Antímano section of Caracas (his father was a laborer at the neighborhood cemetery). He had a strong interest in percussion ever since he was a child, improvising bass parts with his throat while playing Latin rhythms with his hands on any available surface. He got in trouble in school early on for doing this constantly. He then took interest in the upright bass (he learned the instrument on his own), and would eventually alternate in jobs as an auto mechanic, assembly line worker or taxi driver (during the day) and bass player (at night) for local ''conjuntos'' (means an "assembly", but represents a small musical band popularized in Cuba, whereby musicians on bass, guitar, and percussion would all sing local folk songs ). As he acquired a reputation for being a solid bass player, clever improviser (he would improvise entire songs on the spot), humorous entertainer and dynamic singer (he used to dance with a double bass onstage while singing, a not-so-subtle physical feat), he founded orchestras such as ''La Golden Star'' and music groups such as ''Los Psicodélicos''. Together with percussionist José Rodríguez and trombone players César Monge and José Antonio Rojas, he formed ''La Dimensión Latina'' in 1972.
Four years later, D'León quit the group and created ''La Salsa Mayor''. With La Salsa Mayor he recorded the merengue standard "Juanita Morell", a version that became a huge radio hit in Puerto Rico. He later founded ''La Crítica'' in 1978 in memory of the legends of Cuban Rumba, such as Miguelito Valdés. For a while, D'León would alternate singing with both orchestras, giving him enough flexibility to stay working constantly. This also gave him an opportunity of inviting some of his personal musical heroes (such as key members of the Sonora Matancera and Daniel Santos) occasionally onstage during live presentations.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Oscar D'León」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.